Forming the Vowel SoundsThe vocal resonances are altered by the articulators to form distinguishable vowel sounds. The peaks in the vowel spectra are called vocal formants. Note the prominent role of the tongue in this process. The jaw position and lips also play a major part. The sketches at left above are adapted from Gunnar Fant's "Acoustic theory of speech production" and are reportedly sketches taken from x-rays of the head during the production of these sounds. These are the vowels classified as IPA [a], [i], and [u] and roughly correlate with the vowels represented in the spectra from Benade. The emphasis should be on "roughly" since I don't know how close the correlation is. The intent here is to illustrate the role of the articulators and to point to the fact that their action has a major influence on the harmonic content of the voiced sounds. The normal ear is able to clearly distinguish those differences.
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Index Voice concepts Musical instruments References Sundberg Sci. Amer. Benade Ch 19 Fant | ||
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Index Voice concepts Musical instruments | |||||
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Vocal FormantsThe term formant refers to peaks in the harmonic spectrum of a complex sound which arise from some sort of resonance of the source. Because of their resonant origin, they tend to stay essentially the same when the frequency of the fundamental is changed. Formants in the sound of the human voice are particularly important because they are essential components in the intelligibility of speech. For example, the distinguishability of the vowel sounds can be attributed to the differences in their first three formant frequencies. Producing different vowel sounds amounts to retuning these formants within a general range of frequencies. Benade suggests the following ranges of frequencies for the formants of a male voice:
The process of articulation determines the frequencies of the vocal formants. Sundberg has identified portions of the vocal anatomy which he associates with the formant frequencies. The jaw opening, which constricts the vocal tract toward the glottal end and expands it toward the lip end, is the deciding factor for the first formant. This formant frequency rises as the jaw is opened wider. The second formant is most sensitive to the shape of the body of the tongue, and the third formant is most sensitive to the tip of the tongue.
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Index Voice concepts Musical instruments Reference Benade Ch 19 | |||
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Index Voice concepts Musical instruments Reference Benade Ch 19 | ||||
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