Voltage from Ribbon Microphone
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Ribbon Microphone UseCurrent applications of ribbon microphones exploit the "warmth" of these microphones for vocals and some instruments. Blair Jackson in "Off the Beaten Track", Mix, November 1994 p247 provides a recent comment from sound engineer Ed Thacker: "We did a lot of experimenting on this record with ribbon mikes, mainly old RCA 44s and 77s. We wanted to keep it as warm and round as we could. Ribbon mikes are very rich-sounding, but they don't have a lot of top end ... so they're great on horn instruments. We also used them on several vocals to fatten and warm them up."
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Condenser Microphone Signal
Because the sensing element of a condenser microphone is a light membrane, it is capable of excellent transient response. The fact that the condenser has excellent high frequency response implies good transient response, since sharp transients have more high frequency content than the sustained sounds which follow them. Because the condenser microphone must have a continuous, stable DC voltage to bias the membrane, it is common practice to supply that voltage from the sound mixing board. The voltage is applied via one of the microphone leads, typically 48 volts, and is commonly referred to as "phantom power". Since the alternative is a battery supplied bias, with the risk that a battery can go out in mid performance, the phantom power provision from mixing boards is useful.
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Electret Condenser Microphone
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Index Sound reproduction concepts Reference Rossing Science of Sound p396. | |||
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Electret Microphone Diaphragm
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Index Sound reproduction concepts Reference Rossing Science of Sound p396. | ||||
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